I’ve always made things—sewing, painting, building, experimenting. That instinct has grown into a multidisciplinary practice spanning jewelry, wearable art, sculpture, printmaking, and collage. I’m interested in the relationship between making and meaning: how materials, processes, and objects carry stories.
My work often crosses disciplines. Printmaking appears in clothing, fiber techniques shape sculptural forms, and paper, metal, and textile meet in layered collage. I’m drawn to that space where materials interact, boundaries begin to blur, and narratives demand a voice.
Themes of place, the self, belonging, and environmental responsibility run through much of the work. Landscapes—from the Outer Banks to Iceland—offer both beauty and warning, shaped by natural and human forces. Layers, seams, and fragments suggest histories that are hidden, overlooked, or unresolved.
Whether worn, held, or encountered on a wall, the work invites close looking—revealing how meaning emerges through the act of making.